Alagya is a project created together with Áron Lődi. It aims to construct new possible forms of literacy to decode planetary life, and identity in the post-capitalocene through collaborative work and interplay between sculpture and text. Based on both speculation and fact, it attempts to forge visionary pre-/reimaginations of technofossils as material traces of the capitalocene - the age when (pseudo-)commodity appears as a species that necrotizes the entire planet.
Technoculture becomes both its birth and burial in the shape of its own materiality.
However, instead of interpreting fossils as ghostly dead matter, the project examines them as dynamic entities through the scope of new materialist vitalism as a form of elegiac grief of the irreversible losses of our future past. They are material hybrids, body-machines that are inhabitants/refugees/natives/critters/creatures/survivors of the monstrous sublime and uncanny paradox haunting the plateaus of the post-capitalocene. They act as lively agents whether human/nonhuman, organic/inorganic, biotic/abiotic, visible/invisible. They recite poems in a language yet to be fully decrypted.
Alagya is a project created together with Áron Lődi. It aims to construct new possible forms of literacy to decode planetary life, and identity in the post-capitalocene through collaborative work and interplay between sculpture and text. Based on both speculation and fact, it attempts to forge visionary pre-/reimaginations of technofossils as material traces of the capitalocene - the age when (pseudo-)commodity appears as a species that necrotizes the entire planet.
Technoculture becomes both its birth and burial in the shape of its own materiality.
However, instead of interpreting fossils as ghostly dead matter, the project examines them as dynamic entities through the scope of new materialist vitalism as a form of elegiac grief of the irreversible losses of our future past. They are material hybrids, body-machines that are inhabitants/refugees/natives/critters/creatures/survivors of the monstrous sublime and uncanny paradox haunting the plateaus of the post-capitalocene. They act as lively agents whether human/nonhuman, organic/inorganic, biotic/abiotic, visible/invisible. They recite poems in a language yet to be fully decrypted.